Stephen Russell-Brett

A South African contemporary artist working between Pretoria and Dublin. Through painting, paper sculpture, installation, photography and textile, his practice explores memory, ecological change and the practice of attention. Current work is gathered under Material Elegies.

Works

Landscape visualisation of What Appears, from What Remains.

What Remains

Paintings tracing botanical presence, memory and disappearance.

Beach visualisation of a framed paper work from Spectral Taxonomy.

Spectral Taxonomy

Layered paper works responding to coral bleaching and ecological change.

Metamorphosis origami butterfly installation in a garden.

Metamorphosis

Origami installations and photographic works exploring personal loss and remembrance.

Landscape visualisation of a painting from Fugitive Landscapes.

Fugitive Landscapes

Paintings of landscapes in transition, where forms emerge, shift and dissolve.

Metamorphosis origami butterfly installation in a garden.

Selected Works

Independent, exhibition-led and archival works outside the primary collections.

Featured work

Liminal Specimens

Lamina I–XV · Spectral Taxonomy

Fifteen paper works form a field of related specimens. Layers of Hahnemühle paper and vellum are embossed, stained and disrupted, moving through bleaching, residual colour and dissolution. Together, the works consider coral loss through the changing surface and structure of paper.

Gallery visualisation of the fifteen Liminal Specimens paper works from Spectral Taxonomy.

The artist

Stephen Russell-Brett seated beside a painting from What Remains.

Stephen Russell-Brett is a South African contemporary artist working between Pretoria and Dublin. His collections are gathered under Material Elegies, an ongoing enquiry into memory, ecological change and the practice of attention.

His works ask very little of you when you first arrive, except your presence. Then, if you choose to stay, they continue unfolding long after the first encounter.

Observation, lived experience and material fragility converge throughout the practice. Rather than holding change still, the work asks what it might mean to remain with it.

Journal

Essays, field notes and studio writing accompany the work, following the observations and questions that develop around it.

Remaining With What Changes

What begins with a flower becomes an enquiry into attention, material, uncertainty and the gradual formation of the practitioner through the repeated disciplines of looking, making and remaining.

Publications

Artist books, catalogues and visual archives trace the development of the practice and the works that emerge from it.